Category: Pre-orders

SINISTER SONS #1 (OF 6)

Art: David Lafuente | Story: Peter J. Tomasi (DC Comics, $3.99)

I thought this was a nice one to highlight for Valentine’s Day because it’s about Sinestro’s son doing stuff. Sinestro’s son. He found a woman to have his baby. He has a grown-up daughter, too! So it happened twice, decades apart. Please please please let it be consensually, or I’ll get such mail. (I read his and his daughter’s Wikipedia pages and the word “wife” got thrown around a lot, so I think I’m on safe ground here. But I’ll take my medicine if I need to.) There are a lot of strikes against him. He has poorly-judged facial hair. He has a face like an old catcher’s mitt, at least on this cover. If he’s not neurodivergent, no one is. His name is Sinestro. “I can’t put my finger on it, Sinestro, but sometimes I feel like you don’t have my best interests at heart.” But there was still someone out there for him. You just have to keep putting yourself out there, like I assume Sinestro did. I really hope it’s not a gross story, how he had his kids. I just remembered Geoff Johns wrote a lot of Sinestro stuff and now I have beads of sweat breaking out on my forehead. But I’m at least confident that David Lafuente and Peter J. Tomasi won’t mention anything like that in this book. They’ve both carved out niches for themselves doing these kinds of kid-hero stories, so we should be in good hands here.

NIGHT THRASHER #1

Art: Nelson Daniel | Story: J Holtham (Marvel Comics, $4.99)

This week Marvel welcomes back Night Thrasher, a character best known for recklessly causing the fiery deaths of hundreds of innocent people, including a busload of schoolchildren, in pursuit of footage for a reality television series. If I so much as accidentally cut off a schoolbus in traffic, I would agonize over it for weeks because something bad might have happened. I guess that’s why I’m not a hero.

I mean, you would imagine the loved ones of all the people burnt to a crisp that day, upon hearing that Night Thrasher is back on the streets with no supervision or accountability, would say, “Excuse me. Can we re-visit this Registration idea again?” For that matter, it’s hard to imagine they would ever stop. That’s the problem with doing a story like Civil War. For it to work, after months or years of anonymous masked lunatics fighting amongst themselves, causing incalculable amounts of property damage and probably loss of life, the everyday citizens of the Marvel Universe, like a dog who’s been blinded in one eye, all have to look at each other and say, “Well, I guess this is just our lives now,” when the status quo is restored. As if they would have nothing to say about it.

It’s crazy that Night Thrasher—who died in that explosion, let’s remember—was brought back to life at all. Other Marvel superheroes went to a lot of trouble to bring him back. Time travel, all sorts of things. What about everyone else who died in that explosion? I assume they’re all still dead. So Night Thrasher deserves to live and they don’t? Maybe this series will reveal that all the civilians who died were psychopaths who murdered their families at the breakfast table that morning, so actually, it’s a good thing they were all killed. I mean, what in the world.

It’s Black History Month, of course, and this book is likely timed for release with that in mind. But even though there aren’t nearly as many Black superheroes as there ought to be, there are still more than there used to be—enough, anyway, that it might have been better to let one with Night Thrasher’s baggage rest.

IF YOU FIND THIS, I’M ALREADY DEAD #1

Art: Dan McDaid | Story: Matt Kindt (Dark Horse Comics, $7.99)

I single out this one because it has my favorite title of this week’s releases (rivalled only by Sweetie: Candy Vigilante Vol. 2, disqualified on the grounds that we didn’t order any copies) and because it’s a non-standard trim size (about 8″ x 11″ from the look of it). I am a big mark for comics in weird sizes, which can appear anywhere at anytime in my house because I have no clue where to put them. If You Can Find This, I’m Already Dead has a cool premise about an embedded war reporter who has to fend for herself in some kind of sci-fi setting after the unit she covers is wiped out. It sounds like one of those cool oversized Epic Comics GNs I used to pick up for cheap in high school and read to death. Dan McDaid’s cartooning has a cool, inky Paul Pope kind of line that I really respond to. Looking forward to this one.

THE DISPLACED #1 (OF 5)

Art: Luca Casalanguida | Story: Ed Brisson (Boom! Studios, $7.99)

The Displaced explores what happens when all traces of evidence that survivors of a missing Canadian town exist vanish. Spoilers: It suuuuucks. Say good-bye to your budding influencer career, because you are never getting those followers back. Say good-bye to talking about your budding influencer career to anybody, because everyone who humors you because they love you doesn’t remember you anymore. Tik Tok doesn’t remember what you like so you keep getting fed clips of people with affectionate lizards. The HBO Max works about the same, though.

ULTIMATE BLACK PANTHER #1 (SECOND PRINTING)

Art: Stefano Caselli | Story: Bryan Hill (Marvel Comics, $5.99) | FOC: 2/12

NIGHT PEOPLE #1 (OF 4)

Art: Brian Level | Story: Barry Gifford, Chris Condon (Oni Press, $4.99) | FOC: 2/11

TORPEDO 1972 #1

Art: Eduardo Risso | Story: Enrique Sánchez Abulí (Ablaze Publishing, $3.99) | FOC: 2/12